19 May, 2012

Monumenta at the Grand Palais

Monumenta at the Grand Palais

Each May an artist is given carte blanche to create a monumental installation that dialogues with the expansive verrière of the Grand Palais. Freshman president Francois Holland was there under polka-dot sky for “Excentrique’s” opening night vernissage.


Past experiences have been: other-worldly with Anish Kapoor’s black orbs, holocaustic in mountains of discarded articles of clothing,
and Zen garden-esque in paths traced around Richard Serra’s bronze sculptures.  This year a ceiling of circles interlace with the checkerboard-shaded glass panes transforming the space into a Technicolor kaleidoscope.
The art deco greenhouse constructed in 1900 for the International Exposition is the location of choice for Channel defiles during Paris fashion week. Setting foot inside is a treat on any occasion, though some find Monumenta’s “space as art” concept anti-climatic as I did. Several seasons past at my first Monumenta I thought, “Is that all?” And yet each spring I return to see what guise the Grand Palais will be shrouded in, the beauty of it in the metamorphosis.

To see another of Buren’s exemplars travel upstream from the Louvre on rue de Rivoli to the Palais Royal courtyard where an array of black and white striped pedestals were erected in 2007. When “Les Deux Plateaux” fell into disrepair that Buren dramatically deemed vandalism of the state, he threatened to have them demolished. They have since been restored.

Excentrique runs through June 21st. Entry is 5 Euros.

25 March, 2012

The Nice Carnival, Like Mardi Gras but Better


As the two-week stretch of Carnival in Nice from February to early March began to approach, I surveyed friends and colleagues to find out the best views on the parade route and any other insider's tips. Such inquiries were met with responses like, “Oh carnival? I went a few years ago. It’s alright,” or “It’s more for kids.”  While the Nice carnival doesn’t rank high among locals, the lack of enthusiasm may be due to the inconvenience it causes in shutting down city-center traffic. So I approached the festivities with low expectations and was pleasantly surprised.

To me the Nice carnival incorporates elements of the New Orleans Mardi gras like floats and parades without being drenched in the Bourbon street stench of beer and urine. Of course there isn’t Cajun food or French quarter jazz but Niçoise specialties like socca, a thin chickpea-flour pancake, and pissaldiere, a sort of onion and sardine topped pizza, are festival sustenance. The fast food at Rene Socca is the best reputed and its location, nestled into the old town a stone’s throw from the parade route, is convenient.

The Cote d’Azur one-ups swamp-riddled Louisiana geographically with an Yves Klein blue sea on one side of the frame and mountains on the other. Though beads and deblounes aren’t a part of the tradition in Nice, there’s none of the tacky flashing that goes with them either. Instead expect silly string and confetti showers from little trick or treaters. Children masquerade getting double duty out of Halloween costumes while for adults masks, hats, wigs or any over-the-top accessory goes.


The parade and floats travel in a circular route from the checkerboard place Massena down the seafront drag called the Promenade des Anglais and then back. Grandstands line the route but I followed the Best of Nice Blog’s advice to forego buying tickets and walk against the current.
Even though the theme changes each year, the larger than life paper maché characters always manage to look menacing. This year’s sports-centered parade was no exception with each red-eyed giant more nightmarish than the next but dancing hotdogs, blue birds on stilts, living dolls in red hoop skirts and block-long balloon dragons kept the atmosphere whimsical. Walking the whole route took a little more than an hour but I could have lingered for much longer.
When ready to vacate the premises the light rail can whisk you away to the train station because parking can be tedious during busy hours.

When everything has blown over the locals sigh their relief. The only telltale sign left behind after the grandstands are disassembled are strings of tinsel snagged in palm frond fingers making spring look a little like Christmas.